Louis Vuitton hits excessive observe with all-singing Paris style present

Louis Vuitton hits high note with all-singing Paris fashion show

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PARIS: Louis Vuitton ended Paris style week with one in all its most chic reveals, a “conflict of epochs” extravaganza on the Louvre museum that includes a 200-person choir in interval costumes that went from the fifteenth century to the Nineteen Fifties.

Designer Nicolas Ghesquiere employed Stanley Kubrick´s multi-Oscar-winning costume ace Milena Canonero — who dressed each “Barry Lyndon” and “A Clockwork Orange” — to place collectively a five-storey residing backdrop to the present, with music exhumed from forgotten 18th-century grasp Nicolas de Grigny.

“I wished the ages to treat one another and our personal,” the highly-rated French creator stated.

He described his assortment as a “energetic and sparky stylistic conflict” between the previous and the current.

And he was nearly as good as his phrase with sawn-off Nineteenth-century pannier attire matched with postmodern biker and ski jackets in one in all a number of unlikely combos that someway labored.

Ghesquiere appeared to experience placing issues collectively that ought to not usually share the identical wardrobe, with a line of gorgeous bullfighter boleros topping racing driver-style trousers fits, and waistcoats all of the sudden sprouting leather-based shoulder pads.

– Starry entrance row –

The pin-stripe, which nonetheless clings on because the uniform of worldwide finance, was taken and transferred onto leather-based trousers, attire, skirts and a waistcoat.

The designer stated he was attempting to “do the whole lot you are able to do with garments, to combine and match them” and discover new prospects with out the psychological model constraints of what ought to and mustn’t work.

“This assortment is the exact opposite of the ´complete look´,” Ghesquiere declared. “It´s sartorial tuning,” each within the slang sense of flirting and discovering the appropriate observe, he stated.

In entrance of a usually starry entrance row that included Hollywood actresses Lea Seydoux, Florence Pugh and Alicia Vikander, he revealed new customised handles for the basic Vuitton Keepall bag in addition to new “mini cabas”.

Ghesquiere had music for the choir — wearing costumes that ranged from Versailles in its pomp to the court docket of the Ming dynasty — put collectively by Bryce Dessner from the US indie rock band The Nationwide and French music video maker Woodkid.

He stated the piece, known as “Three Hundred and Twenty”, was additionally meant as a tribute to Nicolas de Grigny, on whose work it’s based mostly. A recent of Bach, his genius was not recognised throughout his brief lifetime, and he by no means acquired his music performed in entrance of French royalty on the Louvre. 

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